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Abject Divas: The Allure of the Monstrous-Feminine in Horror Cinema
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All the Colors of Lady Avengers: Unearthing Taiwan’s Pulp Cinema and the Ob/scene
An Aesthetic of Anxiety: Meek’s Cutoff, Slow Cinema, and the Shadow of Neoliberalism
Coming of Age in the 1980s: Nostalgia, Class, and the Evolution of the Teen Movie
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Dying Will Not Be Our Living Legacy: Racial Pornography, Violence, and Black Healing in Media
Feminism in Jennifer’s Body: Decoding the Monstrous-Feminine
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In What Tongue Do Gialli Speak? Dubbing, Language, and the Affective Experience in Giallo Cinema
Layers Short Film: The Aesthetics of Distraction and the Masks of Trauma
Mechanic of Death: Procedural Rhetoric and Cyclical Mortality in Video Games
Memory in the Films of Wong Kar-wai: Echoes of a Vanishing Hong Kong
Nihilism in the Films of Béla Tarr: Decoding Slow Cinema and the Void
Nomenclature 27b/6: Unofficial Trilogies and Terry Gilliam’s Aesthetics of Imagination
Omae Wa Mou Shindeiru: The Illusion of Choice and the Allure of Regret
Pixar and the Aesthetics of Nostalgia: Decoding Animated Memory
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Redefining Body Genres: How Bridesmaids Weaponized the Grotesque
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The “Gaze” in Live Stream Sex Shows: Decoding Digital Voyeurism and the Panopticon
The Death of the Author in the Digital Age: Anatomy of the Ugandan Knuckles Meme
The Handmaiden and the Male Gaze: Dismantling Cinematic Voyeurism
The Magic of Flight: Dumbo (1941) and the Cinematic Allure of Self-Confidence
The Magic Within: Dumbo 2019 and the Cinematic Evolution of Flight
Traveling While Standing Still: Social Media, Cynicism, and the Illusion of Connection
Vaporwave: The Aesthetics of Manufactured Nostalgia and the Virtual Plaza
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